No subscription or hidden extras
Read through the most famous quotes by topic #wing
Life isn't happily ever after & golden sunsets & shit like that. It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that & maybe no one deserves the burden of it, either. You'll be let down. You'll be disappointed & have your trust broken & have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves & work-at everything- because that's what growing older is. ↗
By the time we began to understand enough about what the world to ask the right questions, our visit is over, and someone else is visiting, asking the same questions. ↗
#childhood-memories #growing-up #life #philosophy #understanding
Hand, nobody told me about the weight. Why didn't our parents tell us about the weight? —What weight? —The fucking weight, Hand. How does the woman Ingres live? The one from Marrakesh? If we're vessels, and we are, then we, you and I, are overfull, and that means she's at the bottom of a deep cold lake. How can she stand the hissing of all that water? —We are not vessels; we are missiles. —We're static and we're empty. We are overfull and leaden. —We are airtight and we are missiles and all-powerful. ↗
Or maybe memories are like karaoke - where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't even know the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liked most about your favourite song was precisely your ignorance of its full meaning - and you read more into it than maybe existed in the first place. I think it's better not to know the lyrics to your life. ↗
Takamasa Saegusa: 'Seigen, a mere member of the Toudouza, had the effrontery to sully the sacred dueling ground. For that reason, our lord had already decided to subject him to tu-uchi before long. Cut off his head immediately, and stick it on a pike!' Gennosuke could hardly believe his ears. Such an insult to Irako Seigen was unwarranted. It was pride. For Gennosuke, Irako Seigen was pride itself. Takamasa Saegusa: 'Fujiki Gennosuke! It is the way of the samurai to take the head of the defeated enemy on the battleground. Do not hesitate! If you are a samurai, you must carry out the duty of a samurai!' Samurai... Saegusa, Lord of Izu, continued shouting, but Gennosuke did not attend. That word 'samurai' alone reverberated through his body. If one aims at the juncture between the base of the skull and the spine, decapitation is not that difficult, but Gennosuke could muster no more strength than a baby. He grew pale and trembled with the strain. He could only hack with his sword as if he were sawing wood. He felt nauseated, as if his own cells one after another were being annihilated. But this... Lord Tokugawa Tadanaga: 'I approve.' Takamasa Saegusa: 'Fujiki Gennosuke, for this splendid action you have received words of thanks from our lord. As a sign of his exceptional approval, you shall be given employment at Sunpu Castle. This great debt will by no means be forgotten. From this day forward you must offer your life to our lord!' Prostrating himself, Gennosuke vomited. ↗
There is a storytelling element in there. The tango form is a little like the blues in that you have a kind of structure. It’s not as rigid as twelve bar, but it's very much a storytelling medium -- and there’s an element of call-and-response, and a particular arc in the musical form, that suggest a story. It's about being in the moment, with the music; and responding to your partner, and the particular feeling and momentum in her body in any one moment. It’s a very concentrated thing; you can’t think about anything else while you are doing it. If you try to hold a conversation, it just kind of falls apart. The music was what really drew me into tango. Everyone knows a few of the more popular tango classics, but once you get into it, there’s such a rich field. It’s astonishing, this kind of miraculous musical form that developed in a very small locality: two cities on either side of the River Plate, in Argentina and Urugauy. It started in the 1880s or '90s, and there are all kinds of mysteries, myths and stories, about how tango started and developed. It was first of all considered really low-life, almost reptilian. Something to be avoided and not talked about. And then it became this word wide phenomena. . .and I could go on talking about tango forever. . . . but its also to do with movement. I try to get that into my pictures: a sense of movement, something flowing through. A while ago, I realised how much I'd been drawing dancing figures in the corners of my sketchbooks for years before I discovered tango! ↗
A reporter discovers, in the course of many years of interviewing celebrities, that most actors are more attractive behind a spotlight than over a spot of tea. ↗
Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares. ↗
#diagrams #drawing #father #graph-paper #son
It is eighteen years ago, almost to the day- A sunny day with the leaves just turning, The touch-lines new-ruled - since I watched you play Your first game of fotball, then, like a satellite Wrenched from its orbit, go drifting away Behind a scatter of boys. I can see You walking away from me towards the school with the pathos of a half-fledged thing set free Into a wilderness, the gait of one Who finds no path where the path should be. That hesitant figure, eddying away Like a winged seed loosened from its parent stem, Has something I never quite grasp to convey About nature's give-and-take - the small, the scorching Ordeals which fire one's irresolute clay. I had worse partings, but none that so Gnaws at my mind still. Perhaps it is roughly Saying what God alone could perfectly show- How selfhood begins with a walking away, And love proved in the letting go. ↗
#growing-up #love #parenthood #love
