Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal! ↗
I had the good fortune of speaking with Orson Wells many decades ago and he said 'Success is primarily luck anyway.' And I have been very lucky. Of course, Orson Wells was enormously talented and brilliant - so who am I to argue with him! ↗
I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked. ↗
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response. ↗
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response. ↗
It wasn't until I could get out of Stanford that I could sit down and think about my life, to do the things that most kids do, which is to ask who am I, what do I want to be when I grow up. I never got to do Dan Pintauro. ↗
I lost myself in the process and I realized how much I had identified myself with Maria Shriver, newswoman. When that was gone, I had to really sit back and go, 'Well, actually, who am I today?' ↗
We want to answer this classical question, who am I? So I think that most of our works are for art, or whatever we do, including science or religion, tried to answer that question. ↗