Oh, who am I trying to kid? It's a madhouse. The minute those cameras go off, things just explode, everyone is just at each other in one way or another, in closets or cat fights here and there. It's nuts. You know, I can't be a part of it. ↗
There's some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it? ↗
When the farmer can sell directly to the consumer, it is a more active process. There's more contact. The consumer can know, who am I buying this from? What's their name? Do they have a face? Is the food they are selling coming out of Mexico with pesticides? ↗
We want to answer this classical question, who am I? So I think that most of our works are for art, or whatever we do, including science or religion, tried to answer that question. ↗
Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal! ↗
I had the good fortune of speaking with Orson Wells many decades ago and he said 'Success is primarily luck anyway.' And I have been very lucky. Of course, Orson Wells was enormously talented and brilliant - so who am I to argue with him! ↗
I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked. ↗
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response. ↗