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Read through the most famous quotes by topic #wate
H--‐how did we get in the water?” “You were burning. I needed to do something to cool you. As soon as I carried you in, though, you started flailing around. Scared me,” he added on a whisper. That explained the dream. But it didn’t change what she knew was coming. She pressed her face against his neck and drew in the sweet scent of his skin. Loved the rasp of his stubbly cheek against her flesh. “Why do I get the feeling you’re holding something back?” he asked softly. Because he was smart. And because even in the short amount of time they’d been together, he’d learned more about her than anyone else in her entire life. “I believe in signs. I never did before but…I dreamed about you.” “You did?” She nodded. “I think I have for a while, I just…I didn’t know it was you. But now…” She swallowed hard. “I should have waited for you. It’s the biggest regret I have. I’m sorry I didn’t wait. ↗
Rabbits (says Mr. Lockley) are like human beings in many ways. One of these is certainly their staunch ability to withstand disaster and to let the stream of their life carry them along, past reaches of terror and loss. They have a certain quality which it would not be accurate to describe as callousness or indifference. It is, rather, a blessedly circumscribed imagination and an intuitive feeling that Life is Now. A foraging wild creature, intent above all upon survival, is as strong as the grass. ↗
Maintaining one’s health in today’s toxic rich environment requires proper rest, hydration, an abundant intake of nutrients, and regular internal cleansing practices ↗
I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation. ↗
Long ago, when an early galaxy began to pour light out into the surrounding darkness, no witness could have known that billions of years later some remote clumps of rock and metal, ice and organic molecules would fall together to make place called Earth; or that life would arise and thinking beings evolve who would one day capture a little of that galactic light, and try to puzzle out what had sent it on its way. And after the earth dies, some 5 billion years from now, after it's burned to a crisp, or even swallowed by the Sun, there will be other worlds and stars and galaxies coming into being -- and they will know nothing of a place once called Earth. ↗
