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Read through the most famous quotes by topic #wallace
After I started getting criticism for doing 'Big Brother,' someone told me that Hugh Downs used to host 'Concentration' and Mike Wallace used to do 'The Big Surprise.' I thought, Huh, maybe that door isn't sealed shut if I want to do '60 Minutes' one day. ↗
I thought theater people wouldn't see me if I hadn't trained. I didn't want to just be the Brideshead guy, to spend the rest of my life wearing waistcoats. I got the chance to try everything. Not just Romeos, but pimps and grandfathers and even one role as a woman in a Naomi Wallace play called Slaughter City. ↗
#chance #city #even #everything #got
(She) says that she's finding it especially hard to take when these earnest ravaged folks at the lectern say they're `Here But For the Grace of God,' except that's not the strange thing she says, because when Gately nods hard and starts to interject about `It was the same for--' and wants to launch into a fairly standard Boston AA agnostic-soothing riff about the `God' in the slogan being just shorthand for a totally subjective and up-to-you `Higher Power' and AA being merely spiritual instead of dogmatically religious, a sort of benign anarchy of subjective spirit, Joelle cuts off his interjection and says that but that her trouble with it is that `But For the Grace of God' is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. `But For the Grace of God I would have died on Molly Notkin's bathroom floor,' so that an indicative transposition like `I'm here But For the Grace of God' is, she says, literally senseless, and regardless of whether she hears it or not it's meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in. ↗
Leonard is far and away my least favorite relative, and I have no clue why I call him one night, collect, very late, and give him an involved and scrupulously fair edition of the whole story. We end up arguing. Leonard maintains that I am just like our mother and suffer from an unhappy and basically silly desire to be perfect; I sat that this has nothing constructive to do with anything I've said, and furthermore I fail to see what's so bad about wishing to be perfect, since being perfect would be...well, perfect. Leonard invites me to think about how boring it would be to be perfect. I defer to Leonard's extensive and hard-earned knowledge about being boring, but do point out that since being boring is an imperfection, it would by definition be impossible for a perfect person to be boring. Leonard says I've always enjoyed playing games with words in order to dodge the real meanings of things; this segues with suspicious neatness into my intuitions about the impending death of lexical utterance, and I'm afraid I indulge myself for several minutes before I realize that one of us has severed the connection. I curse Leonard's pipe, and his wife with a face like the rind of a ham. ↗
He was lovable the way a child is lovable, and he was capable of returning love with a childlike purity. If love is nevertheless excluded from his work, it's because he never quite felt that he deserved to receive it. He was a lifelong prisoner on the island of himself. What looked like gentle contours from a distance were in fact sheer cliffs. Sometimes only a little of him was crazy, sometimes nearly all of him, but, as an adult, he was never entirely not crazy. What he'd seen of his id while trying to escape his island prison by way of drugs and alcohol, only to find himself even more imprisoned by addiction, seems never to have ceased to be corrosive of his belief in his lovability. Even after he got clean, even decades after his late-adolescent suicide attempt, even after his slow and heroic construction of a life for himself, he felt undeserving. And this feeling was intertwined, ultimately to the point of indistinguishability, with the thought of suicide, which was the one sure way out of his imprisonment; surer than addiction, surer than fiction, and surer, finally, than love. ↗
#david-foster-wallace #desperation #love #mental-illness #self-confidence
It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get -- the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke -- that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens...and it opens outward: we've been inside what we wanted all along. Das ist komisch. ↗
#art
