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Read through the most famous quotes by topic #vol
Little by little, the old world crumbled, and not once did the king imagine that some of the pieces might fall on him. ↗
Happiness was useless to me. It was heartache that filled my purse. What happy man has need of Shakespeare? ↗
I laid my hand on top of theirs, and all I could think was, Is this how revolutions begin? Not with a proclamation or a riot, but with a few people in a room somewhere with their hands clasped and a purpose. ↗
What he realised, and more clearly as time went on, was that money-worship has been elevated into a religion. Perhaps it is the only real religion-the only felt religion-that is left to us. Money is what God used to be. Good and evil have no meaning any longer except failure and success. Hence the profoundly significant phrase, to make good. The decalogue has been reduced to two commandments. One for the employers-the elect, the money priesthood as it were- 'Thou shalt make money'; the other for the employed- the slaves and underlings'- 'Thou shalt not lose thy job.' It was about this time that he came across The Ragged Trousered Philanthropists and read about the starving carpenter who pawns everything but sticks to his aspidistra. The aspidistra became a sort of symbol for Gordon after that. The aspidistra, the flower of England! It ought to be on our coat of arms instead of the lion and the unicorn. There will be no revolution in England while there are aspidistras in the windows. ↗
#money #religion #revolution #symbolic #money
With the historical radar of Marx’s theories, on whose screen observers who have not swallowed the alcohol of the intoxicating bourgeois ideology cannot read lies, in the fog of the depths off Nantacket, in the dark of the walled tomb of the living in Marcinelle, in the bitterness of the slime of the stagnant ponds of the Arabian Desert, while the forces of the Revolution seem to be hiding and Great Capital carouses in the bright sunlight, we have again found, at his inexhaustible work, the Old Mole who undermines the curse of the infamous social forms, who prepares for the not near, but most certain, destructive explosion. ↗
The lesson we are indebted to Egypt for, our future generations learned that in the face of oppression silence is never golden. ↗
Hegel nota in un passo delle sue opere che tutti i grandi fatti e i grandi personaggi della storia universale si presentano, per così dire, due volte. Ha dimenticato di aggiungere: la prima come tragedia, la seconda come farsa ↗
