But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive. ↗
No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences. ↗
'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt. ↗