#villains

I refer, of course, to the debts our nation has amassed for itself over decades of indulgence. It is the new Red Menace, this time consisting of ink. We can debate its origins endlessly and search for villains on ideological grounds, but the reality is pure arithmetic. ↗

— Mitch Daniels

#consisting #course #debate #debts #decades

I don't feel I'm playing villains all the time. ↗

— Ralph Fiennes

#i #playing #time #villains

Well, this is an unfortunate part of the UN institution. It's the - the theater of the absurd. It doesn't only cast Israel as the villain; it often casts real villains in leading roles: Gadhafi's Libya chaired the UN Commission on Human Rights; Saddam's Iraq headed the UN Committee on Disarmament. ↗

— Benjamin Netanyahu

#cast #casts #commission #committee #disarmament

I try to give both my heroes and villains an emotional dimensionality which provides the motivation for their actions. ↗

— Sidney Sheldon

#both #emotional #give #heroes #i

They are superpower of villains. They are superpower of Al Capone. ↗

— Mohammed Saeed al-Sahaf

#al capone #capone #superpower #villains

Browning's tragedies are tragedies without villains. ↗

— Edward Dowden

#tragedies #villains #without

I like being a villain. Villains are more exciting. ↗

— Judd Nelson

#exciting #i #like #more #villain

There are more than straight good and evil, aye, even more than law or disorders or fence-sittin'. There's prejudice, whimsey, affection, superstition, habit, upbringing, alliance, pride, society, morals, animosity, preference, values, religon, circumstance, humor, perversity, honor, vengeance, jealousy, frustration...hundreds o' factors, from the past and in every present moment, as decides what some one person'll do in an individious situation. ↗

— Eve Forward Villains By Necessity

#fantasy #fiction #villains-by-necessity #jealousy

Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them. ↗

— Scarlett Thomas

#heroes #villains #writing #motivational

Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗

— W.H. Auden

#shakespeare #villains #motivational