Read through the most famous quotes by topic #villa
There are more than straight good and evil, aye, even more than law or disorders or fence-sittin'. There's prejudice, whimsey, affection, superstition, habit, upbringing, alliance, pride, society, morals, animosity, preference, values, religon, circumstance, humor, perversity, honor, vengeance, jealousy, frustration...hundreds o' factors, from the past and in every present moment, as decides what some one person'll do in an individious situation. ↗
For the author as for God, standing outwith his creation, all times are one; all times are now. In mine own country, we accept as due and right – as very meet, right, and our bounden duty – the downs and their orchids and butterflies, the woods and coppices, ash, beech, oak, and field maple, rowan, wild cherry, holly, and hazel, bluebells in their season and willow, alder, and poplar in the wetter ground. We accept as proper and unremarkable the badger and the squirrel, the roe deer and the rabbit, the fox and the pheasant, as the companions of our walks and days. We remark with pleasure, yet take as granted, the hedgerow and the garden, the riot of snowdrops, primroses, and cowslips, the bright flash of kingfishers, the dart of swallows and the peaceful homeliness of house martins, the soft nocturnal glimmer of glow worm and the silent nocturnal swoop of owl. ↗
Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them. ↗
Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗
Bet vai tu zini par manu bērnību? Vai tu zini, cik man bija sliktas mājas un cik daudz ļauna es tur dabūju iemācīties? Šķiet, ka tas nāk līdzi mantojumā, no citiem augumiem, bet no kā? No pirmā auguma, tā bija rakstīts bērnu grāmatās, un liekas, ka piepildās... Tāpēc nevaino mani, tad es savukārt nevainošu savus vecākus, kuri varētu vainot savējos un tā joprojām! ↗
