You set up a story and it turns inside out and that is, for me, the most exciting sort of story to write. The viewer thinks it's going to be about something and it does the opposite. ↗
Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it. ↗
If I’m going to write a book every American will want to read, it’s got to have lots of pictures. Those pictures must also move, and all the words in the book must be spoken and available audibly for all the readers to hear as they watch. ↗