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Read through the most famous quotes by topic #venice
By the sweet power of music: therefore the poet did feign that Orpheus drew trees, stones and floods; since nought so stockish, hard and full of rage, but music for the time doth change his nature. The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils; The motions of his spirit are dull as night and his affections dark as Erebus: Let no such man be trusted. Mark the music. ↗
It took Feyra some time to realise that she was not delirious: the citizens were wearing painted masks.From childhood she had heard the legend that the Venetians were half human, half beast.She knew that this could not be true, but in the swirling fog of this hellish city she almost believed it. The creatures seemed to stare at her down their warped noses from their blank and hollow eyes. And overlord of all was the winged lion - he was everywhere, watching from every plaque or pennant, ubiquitous and threatening. ↗
#bubonic-plague #historical-romance-fiction #medical-history #venice #architecture
The blizzard seemed to be dying down, and it was now possible to enjoy the sight of the buildings and embankments and bridges smothered in the diamond-dusted whiteness. There's always something soothing in the snow, thought Gabriel, a promise of happiness and absolution, of a new start on a clean sheet. Snow redesigned the streets with hints of another architecture, even more magnificent, more fanciful than it already was, all spires and pinnacles on pale palaces of pearl and opal. All that New Venice should have been reappeared through its partial disappearance. It was as if the city were dreaming about itself and crystallizing both that dream and the ethereal unreality of it. He wallowed in the impression, badly needing it right now, knowing it would not last as he hobbled nearer to his destination. ↗
#dream-architecture #gabriel-d-allier #new-venice #snow #architecture
Portia we can admire because, having seen her leave her Earthly Paradise to do a good deed in this world (one notices, incidentally, that in this world she appears in disguise), we know that she is aware of her wealth as a moral responsibility, but the other inhabitants of Belmont, Bassanio, Gratiano, Lorenzo and Jessica, for all their beauty and charm, appear as frivolous members of a leisure class, whose carefree life is parasitic upon the labors of others, including usurers. When we learn that Jessica has spent fourscore ducats of her father’s money in an evening and bought a monkey with her mother’s ring, we cannot take this as a comic punishment for Shylock’s sin of avarice; her behavior seems rather an example of the opposite sin of conspicuous waste. Then, with the example in our minds of self-sacrificing love as displayed by Antonio, while we can enjoy the verbal felicity of the love duet between Lorenzo and Jessica, we cannot help noticing that the pairs of lovers they recall, Troilus and Cressida, Aeneas and Dido, Jason and Medea, are none of them examples of self-sacrifice or fidelity. […] Belmont would like to believe that men and women are either good or bad by nature, but Antonio and Shylock remind us that this is an illusion; in the real world, no hatred is totally without justification, no love totally innocent. ↗
