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Read through the most famous quotes by topic #ura
Por no haber sabido hablar conforme a lo ordenado, tendréis distinto modo de vivir y diversa comida. No viviréis ya en comunión plácida; cada cual huirá de su semejante, temeroso de su inquina y de su hambre, y buscará lugar que oculte su torpeza y su miedo. ↗
Behjet eased the horse forward again. "The harvest is failing. There will be no crop at all if this rain doesn't stop - not even hay." The rain. The rain she'd been so grateful for, the rain that concealed the warping of her shadow. It was going to kill people. ↗
#guilt #natural-disaster #rain #realization #unnatural-disaster
The fantastic postulates that there are forces in the outside world, and in our own natures, which we can neither know nor control, and these forces may even constitute the essence of our existence, beneath the comforting rational surface. The fantastic is, moreover, a product of human imagination, perhaps even an excess of imagination. It arises when laws thought to be absolute are transcended, in the borderland between life and death, the animate and the inanimate, the self and the world; it arises when the real turns into the unreal, and the solid presence into vision, dream or hallucination. The fantastic is the unexpected occurrence, the startling novelty which goes contrary to all our expectations of what is possible. The ego multiplies and splits, time and space are distorted. ↗
Considering the way the prebiotic soup is referred to in so many discussions of the origin of life as an already established reality, it comes as something of a shock to realize that there is absolutely no positive evidence for its existence. ↗
#biology #chemical-evolution #darwinism #evolution #naturalism
NAD MALOMĚSTSKOU KAŠNOU Vodo, vodo, vodičko, Ty nejsi ty, ty nejsi ty, Nepostojíš maličko – Tyrlityty – tyrlityty – Nemáš stání mi naslouchat, Tečeš, tečeš neustále, Dál a dále, co nejdále, Kovové tě roury ženou, Studna jen tě vyšplouchat Na vyhřátý starý rynk Hlinozvonnou, vychlazenou – Oblou, starý, nový čas Oblékáš obraz přes obraz, Prahnoucí mé žízně čumus, hladinou svou barvoměnnou (hladinou svou tvaroměnnou) měniíš každou vteřinou, přes okraj se kapky přeřinou – konkylandr – konkylandr – hlasu plna’s, plan šumu’s: „Jdi na vandr! Jdi na vandr!“ Z tebe bych pil tak rád! Kdybys přestala protékat, Ztepláš a skalíš se nastokrát, Samá lenost budeš, smrad, Co ti po tom, že mám tě rád – Cákycák – cákycát – Trvale chceš se rozlévat, Sebechvat jsi, sebechvat, Jsi poháněna i to, co pohání, A celek – toť čisté trvání. ↗
His character is like an emerald—multifaceted and enhanced by inclusions. ↗
#character-assessment #corcitura #emerald #leonora-bianchetti #stefan-belododia
Maybe Laura’s real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die—if not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name. ↗
Preciso mais do que um protetor com as asas sempre prontas a se estenderem sobre mim. Nunca estive tão segura e ao mesmo tempo nunca me senti tão insegura. Para que eu alcance o inatingível e possa provar aos meus sentidos que amar o sobrenatural é natural, Nate precisa amanhecer um lado para que o outro anoiteça. Eu preciso ver o homem que se eclipsa na sombra do anjo. ↗
