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The movement of descent and discovery begins at the moment you consciously become dissatisfied with life. Contrary to most professional opinion, this gnawing dissatisfaction with life is not a sign of "mental illness," nor an indication of poor social adjustment, nor a character disorder. For concealed within this basic unhappiness with life and existence is the embryo of a growing intelligence, a special intelligence usually buried under the immense weight of social shams. A person who is beginning to sense the suffering of life is, at the same time, beginning to awaken to deeper realities, truer realities. For suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight. But only in a special sense. Some people cling to their suffering as a mother to its child, carrying it as a burden they dare not set down. They do not face suffering with awareness, but rather clutch at their suffering, secretly transfixed with the spasms of martyrdom. Suffering should neither be denied awareness, avoided, despised, not glorified, clung to, dramatized. The emergence of suffering is not so much good as it is a good sign, an indication that one is starting to realize that life lived outside unity consciousness is ultimately painful, distressing, and sorrowful. The life of boundaries is a life of battles—of fear, anxiety, pain, and finally death. It is only through all manner of numbing compensations, distractions, and enchantments that we agree not to question our illusory boundaries, the root cause of the endless wheel of agony. But sooner or later, if we are not rendered totally insensitive, our defensive compensations begin to fail their soothing and concealing purpose. As a consequence, we begin to suffer in one way or another, because our awareness is finally directed toward the conflict-ridden nature of our false boundaries and the fragmented life supported by them. ↗
I remember an hypothesis argued upon by the young students, when I was at St. Omer's, and maintained with much learning and pleasantry on both sides, 'Whether supposing that the flavour of a big who obtained his death by whipping (per flagellationem extremem) superadded a pleasure upon the palate of a man more intense than any possible suffering we can conceive in the animal, is man justified in using that method of putting an animal to death?' I forget the decision. ↗
#flavor #food #justification #pig #suffering
As a basic step of self-esteem, learn to treat as the mark of a cannibal any man’s demand for your help. To demand it is to claim that your life is his property – and loathsome as such claim might be, there’s something still more loathsome: your agreement. Do you ask if it’s ever proper to help another man? No- if he claims it as his right or as a moral duty that you owe him. Yes- if such is your own desire based on your own selfish pleasure in the value of his person and his struggle. Suffering as such is not a value, only man’s fight against suffering is. If you choose to help a man who suffers, do it only on the ground of his virtues, of his fight to recover, of his rational record, or of the fact that he suffers unjustly; then your action is still trade, and his virtue is the payment for your help. But to help a man who has no virtues, to help him on the ground of his suffering as such, to accept his faults, his need, as a claim – is to accept the mortgage of a zero on your values. A man who has no virtues is a hater of existence who acts on the premise of death; to help him is to sanction his evil and to support his career of destruction. Be it only a penny you will miss or a kindly smile he has not earned, a tribute to a zero is treason to life and to all those who struggle to maintain it. It is of such pennies and smiles that the desolation of your world was made. ↗
I replied that I did not quite know what my ailment had been, but that I had certainly suffered a good deal especially in mind. Further, on this subject, I did not consider it advisable to dwell, for the details of what I had undergone belonged to a portion of my existence in which I never expected my godmother to take a share. Into what a new region would such a confidence have led that hale, serene nature! The difference between her and me might be figured by that between the stately ship cruising safe on smooth seas, with its full complement of crew, a captain gay and brave, and venturous and provident; and the life-boat, which most days of the year lies dry and solitary in an old, dark boat-house, only putting to sea when the billows run high in rough weather, when cloud encounters water, when danger and death divide between them the rule of the great deep. No, the "Louisa Bretton" never was out of harbour on such a night, and in such a scene: her crew could not conceive it; so the half-drowned life-boat man keeps his own counsel, and spins no yarns. ↗
He turned to Frank who was trying to pull his fingers out of the Chinese handcuffs… “Okay,” Frank relented. “Sure.” He frowned at his fingers, trying to pull them out of the trap. “Uh, how do you—” Leo chuckled. “Man, you’ve never seen those before? There’s a simple trick to getting out.” Frank tugged again with no luck. Even Hazel was trying not to laugh. Frank grimaced with concentration. Suddenly, he disappeared. On the deck where he’d been standing, a green iguana crouched next to an empty set of Chinese handcuffs. “Well done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. “That is exactly how people beat Chinese handcuffs. They turn into iguanas. ↗
#frank-zhang #heroes-of-olympus #humor #jason-grace #keep-it-simple
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes. ↗
#hilary-duff #humor #mozart #reed-pipe #humor
I went to study some orchestration stuff because I got so inspired working with all the orchestras. ↗
#got #i #inspired #orchestras #orchestration
