Training is full-on. Some days I really don't want to get out of bed and hit that track again. Sunday and Monday morning sessions are always horrible. But who really looks forward to going to work on a Monday morning? ↗
We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own. ↗
A lot of the Warp stuff has infected people's minds 'cause they're at the point where they can put tracks out, 'cause electronics are cheaper in America and kids are richer generally. ↗
When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that's plagiarism, that's taking other people's music. ↗
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks. ↗
We were at Pye Studios for half an hour so we set the gear up and we did two tracks. A month later we found out it was selling thirty thousand copies a day. ↗
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually. ↗
