No subscription or hidden extras
Read through the most famous quotes by topic #tories
Strangely enough as much as everyone believe’s I’m gay – and by now I probably am gay as may… Hana-chan was the first person I ever loved. ↗
I'm beginning to feel as though everything has happened before, that our story has already been told. Just as we were powerless to stop the fox stealing the chicken, so there seems to be an inevitability to all that takes place at Mosel. This is a ghost story. And we have somehow become the ghosts of these young men who worked this estate before the Great War. The living are the dead. ↗
A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way. ↗
In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet." (The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948) ↗
I think the best stories always end up being about the people rather than the event, which is to say character-driven. ↗
I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about. ↗
Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at it's melancholy rim, green in it's envious heart. It may burn white, or even, in it's greatest rages, black. ↗