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Read through the most famous quotes by topic #tories
Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination. ↗
Remember Old Nan's stories, Bran. Remember the way she told them, the sound of her voice. So long as you do that, part of her will always be alive in you. ↗
Dad used to read aloud to us from Dickens and Kipling. My tastes were omnivorous. I read anything I could lay my hands on, but the memory that stays with me is that of my father reading the Jungle Books to us when we were young. Beautiful stories! ↗
#childhood-memory #childhood-stories #dickens #interview-transcription #kipling
It is a law of the story-teller's art that he does not tell a story. It is the listener who tells it. The story-teller does but provide him with the stimuli. ↗
Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow. ↗
Stories are masks of God. That's a story, too, of course. I made it up, in collaborations with Joseph Campbell and Scheherazade, Jesus and the Buddha and the Brother's Grimm. Stories show us how to bear the unbearable, approach the unapproachable, conceive the inconceiveable. Stories provide meaning, texture, layers and layers of truth. Stories can also trivialize. Offered indelicately, taken too literally, stories become reductionist tools, rendering things neat and therefore false. Even as we must revere and cherish the masks we variously create, Campbell reminds us, we must not mistake the masks of God for God. So it seemes to me that one of the most vital things we can teach our children is how to be storytellers. How to tell stories that are rigorously, insistently, beautifully true. And how to believe them. ↗
The detective story, as created by Poe, is something as specialised and as intellectual as a chess problem, whereas the best English detective fiction has relied less on the beauty of the mathematical problem and much more on the intangible human element. [...] In The Moonstone the mystery is finally solved, not altogether by human ingenuity, but largely by accident. Since Collins, the best heroes of English detective fiction have been, like Sergeant Cuff, fallible. ↗