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Read through the most famous quotes by topic #thriller
When a group of people are forced to navigate a minefield together, everyone feels a grudging sense of comfort when someone else gets blown up. Though there may be other unseen landmines left in the ground, each death creates a safe spot. A landmine cannot explode twice in the same place. Sure, the explosion robs the survivors of a comrade. Still, each death makes everyone’s next step marginally safer. So everyone keeps walking with grief on their faces, and relief in their hearts. Their own deaths are further postponed by the end of another life. ↗
Everything we know and believe about deity and divinity nowadays, is a direct origin of old civilizations. Everybody, Greeks, Saxons, Assyrians and Soumerians, all imitate the ancient ways of the first tribes of central Africa (Mason father to his son in "The Omniconstant ↗
Seconds seem like a life time when the life you lived is slowly drained out of you by those who care not what you felt, hoped, or dreamed. When the darkness comes it is all consuming, there is no light and there is no pain. It is the never ending loss of hope that now consumes me as I die in his arms. ↗
One day you see a man walking down the road, the next day you come to his yard and find him dead... Why is it that he cannot do what the living do? It is because the thing that gave power to these parts is no longer there. That is the duppy, and that is the most powerful part of any man. Everybody has evil in them, and when a man is alive... he will not abandon himself to many evil things. But when the duppy leaves the body, it no longer has anything to restrain it and it will do more terrible things than any man ever dreamed of. - From 'Tell My Horse: Voodoo and Life in Haiti and Jamaica', Zora Neale Hurston, 1938 ↗
One of the two owners, the man who had been sitting in the front room, was stretched out in there asleep, stockinged-toes pointed at the ceiling, one hand backed defensively against his eyes to ward off the light. He'd taken off his vest and shoes, and that strap that wasn't straight enough to be a suspender-strap was dangling now around one of the knobs at the foot of the bed. It ended in a holster, with a black, cross-grained slab of metal protruding from it. Turner couldn't take his eyes off it, while the long seconds that to him were minutes toiled by. That meant out, that black slab, more surely than any door. He had to have it. More than that, it meant a continuance of out, for so long as he had it. And he wanted out with all the desperate longing of all trapped things, blindly scratching, clawing their way through a maze to the open. To the open where the equal chance is. ↗
