Read through the most famous quotes by topic #terry
Eagleton has spent his life inside two mental boxes, Catholicism and Marxism, of both of which he is a severe internal critic—that is, he frequently kicks and scratches at the inside of the boxes, but does not leave them. Neither are ideologies that loosen their grip easily, and people who need the security of adherence to a big dominating ideology, however much they kick and scratch but without daring to leave go, hold on to it every bit as tightly as it holds onto them. The result is of course strangulation, but alas not mutual strangulation: the ideology always wins. ↗
It was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. ↗
At such times the universe gets a little closer to us. They are strange times, times of beginnings and endings. Dangerous and powerful. And we feel it even if we don't know what it is. These times are not necessarily good, and not necessarily bad. In fact, what they are depends on what *we* are. ↗
Some police forces would believe anything. Not the Metropolitan police, though. The Met was the hardest, most cynically pragmatic, most stubbornly down-to-earth police force in Britain. It would take a lot to phase a copper from the Met. It would take, for example, a huge, battered car that was nothing more nor less than a fireball, a blazing, roaring, twisted metal lemon from Hell, driven by a grinning lunatic in sunglasses, sitting amid the flames, trailing thick black smoke, coming straight at them through the lashing rain and wind at eighty miles an hour. That would do it every time. ↗
Poets have tried to describe Ankh-Morpork. They have failed. Perhaps it's the sheer zestful vitality of the place, or maybe it's just that a city with a million inhabitants and no sewers is rather robust for poets, who prefer daffodils and no wonder. So let's just say that Ankh-Morpork is as full of life as an old cheese on a hot day, as loud as a curse in a cathedral, as bright as an oil slick, as colourful as a bruise and as full of activity, industry, bustle and sheer exuberant busyness as a dead dog on a termite mound. ↗
There was no safety. There was no pride. All there was, was money. Everything became money, and money became everything. Money treated us as if we were things, and we died. ↗
Seriously, Jack, I think you might be the only guy in this city who hasn’t read his stuff. Collin McCann is like the Carrie Bradshaw of Chicago men.” “You mean Terry Bradshaw,” Jack corrected. “No, Carrie,” Wilkins repeated. “You know, Sarah Jessica Parker. Sex and the City.” A silence fell over the room as Collin and Jack stared at Wilkins, seriously fearing for the fate of men. ↗
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