#studio

Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter. ↗

— David Gilmour

#comes #find #first #go #just

I was very studious, too much. I would never go out at weekends. I was very serious. You should have seen me in class - I was blushing and sweating every time the teacher asked me something. ↗

— Eva Green

#blushing #class #every #every time #go

I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios. ↗

— Skitch Henderson

#big studios #demise #hollywood #house #i

I felt that the studio recording process makes you stand still too long. ↗

— Kiri Te Kanawa

#i #long #makes #process #recording

I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance. ↗

— Chuck Mangione

#come #danger #i #i think #made

Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I cannot. ↗

— Michael Mann

#cannot #choices #controls #could #creativity

Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished. ↗

— Bruce Nauman

#anything #evident #finished #frustration #gets

I'm trying to work in studio movies, but they won't hire me. ↗

— Parker Posey

#i #me #movies #studio #studio movies

Most of the contract people at MGM stayed and stayed and stayed. Why? Because the studio looked after them. Warner Brothers wouldn't - they were always spanking somebody or selling them down the river. ↗

— Ann Rutherford

#always #because #brothers #contract #down

It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance. ↗

— Mark Rydell

#break #cable #difficult #directors #easier