#story

Its always good to read a good book in a good time. reading Merchese's Love Child is one thing I cant forget. thanks to the author Sara Craven for the tremendous work for her writers. ↗

— Sara Craven

#love-story #misunderstanding #reunion #separation #anger

But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon. That, said the Dean, is the Parthenon. - So it is. - I haven’t the time to waste on silly questions. - All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it? - It’s the Parthenon! - said the Dean. - Yes, God damn it, the Parthenon! The ruler struck the glass over the picture. - Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why? ↗

— Ayn Rand

#history #architecture

Integrating the beauty of seasonal change into the residence was a concept that remains true even today even in the more cramped, inner city machiya. ↗

— Judith Clancy

#food #history #japan #kyoto #machiya

It is the story that matters not just the ending. ↗

— Paul Lockhart

#math #mathematics #story #art

Every morning brings us news of the globe, and yet we are poor in noteworthy stories. This is because no event comes to us without being already shot through with explanation. In other words, by now almost nothing that happens benefits storytelling; almost everything benefits information. Actually, it is half the art of storytelling to keep a story free from explanation as one reproduces it. . . . The most extraordinary things, marvelous things, are related with the greatest accuracy, but the psychological connection of the event is not forced on the reader. It is left up to him to interpret things the way he understands them, and thus the narrative achieves an amplitude that information lacks. ↗

— Walter Benjamin

#art

Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling. ↗

— Andrea A. Lunsford

#storytelling #writers-on-writing #writing #art

LOVE is measured in GAUGE TWENTY- specifically, love pressure in the surrounding area. If it drops below four percent, though, you may have trouble-the VW might get sad, slow down, or even stop altogether. If this occurs, you have to immediately find/write a story that somehow convinces him that there is more love, caring or compassion in the area than he thinks there is. I can’t tell you how many times this has been a problem for us- how many trips were interrupted because I had to head into the nearest populated town to see if we could find examples of kindness. ↗

— Christopher Boucher

#love #storytelling #love

So what's the point of longing for a new, monumental category hidden somewhere in the non-Western discourse? On the contrary, shouldn't we emphasize that Western art historical thinking has not necessarily to be regarded as monumental? This would be a good condition for dialogue with scholars who are not (or do not want to be) affiliated with "our" tradition. ↗

— Ralph Ubl

#art

With the plundered people transferring their energies into relaxed and receptive thoughts, degradation and lust for power produced art. ↗

— Peter Weiss

#art #history #art

Dignity is not a symbol bestowed on man, nor does the word itself possess force. Man's dignity is a force and the only modus vivendi by which man and his history survive. When mid-twentieth century Germany did not let man live and die with this right, man became an animal. No matter how technologically advanced or sophisticated, when man negates this divine right, he not only becomes self-destructive, but castrates his history and poisons our future. This is what 'The Nazi Drawings' are about. ↗

— Mauricio Lasansky

#artists #dignity #history #human-nature #art