#soundtrack

I have soundtracks for a lot of stuff. ↗

— Dave Attell

#lot #soundtracks #stuff

The BBC provides the commentary on our lives, the soundtrack of the nation. It is one of the most powerful unifying forces in the United Kingdom today. ↗

— Gavyn Davies

#commentary #forces #kingdom #lives #most

But I would lie on the floor and analyze everything. I'd listen to all the strings and the background vocals on the Saturday Night Fever soundtrack and try to pick out the different instruments. ↗

— Kevin Richardson

#background #different #everything #fever #floor

I remember lying on the floor of the living room with headphones on when I was four or five years old, listening to the Saturday Night Fever soundtrack. ↗

— Kevin Richardson

#five #floor #four #headphones #i

If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song. ↗

— Nate Ruess

#i think #important #living #make #most

And um, when I came back to England I put a very complex soundtrack on it, featuring everyone from Jimi Hendrix, right through to Neil Diamond, you know, everybody that was kind of popular who was kind of popular at that time. ↗

— Gerald Scarfe

#came #complex #diamond #england #everybody

Popular music formed the soundtrack of my life. ↗

— Martin Scorsese

#life #music #my life #popular #popular music

Motion Picture Soundtrack on Kid A was another Coltrane inspiration. ↗

— Colin Greenwood

#coltrane #inspiration #kid #motion #motion picture

Because I hate the ocean, theme parks and airplanes, talking with strangers, waiting in line. I'm through with these pills that make me sit still, are you feeling fine? Yes, I feel just fine. ↗

— Motion City Soundtrack

#love #motion-city-soundtrack #music #love

The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone. ↗

— Bret Easton Ellis

#soundtrack #music