Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact. ↗
Shakespeare's idea of the tragic fact is larger than this idea and goes beyond it; but it includes it, and it is worth while to observe the identity of the two in a certain point which is often ignored. ↗
We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works. ↗
But if Shakespeare himself is maybe about meaning and truth, I don't know, then he is certainly about pleasure and interest, we start with pleasure and interest, but maybe eventually it gets to meaning and truth. ↗