That is what I define as a novel: something that has a beginning, a middle and an end, with characters and a plot that sustain interest from the first sentence to the last. But that is not what I do at all. ↗
In a newspaper, you only have so much room. It teaches you the value of getting to the point, of not pampering yourself with your glorious writing. I've always been much more interested in one powerful sentence that stays with you. That's my style. ↗
From a sequence of these individual patterns, whole buildings with the character of nature will form themselves within your thoughts, as easily as sentences. ↗
It’s not: I jumped in, and it was cold. No. It was cold, and I jumped in. Always arrange a sentence so you appear to be fearless, when in fact you are far less than fearless—you are clueless. ↗
If men can develop weapons that are so terrifying as to make the thought of global war include almost a sentence for suicide, you would think that man's intelligence and his comprehension... would include also his ability to find a peaceful solution. ↗
I'll agonize over sentences. Mostly because you're trying to create specific effects with sentences, and because there are a number of different voices in the book. ↗