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Awakened by a thousand dogs, a passing truck, the tailspin of a poisoned mosquito (or, perhaps, merely the silence of my dreams), I had, before remembering who and where I was, seen only that green sun suspended in the firmament of my room (her uterus bottled in preserving fluids) and, through seconds that became millennia, millennia aeons, felt the steadfastness of my orbit around that cold glow of love, a marvelous fatal steadfastness, before my pupils dilated and shadows and unease once more defined reality, the steel box naked but for a mattress and insomnious bugs where I had lived, in a coma of heartbreak and drunkenness, the six months since Primavera's death. ↗
Hapscomb's Texaco sat on Number 93 just north of Arnette, a pissant four-street burg about 110 miles from Houston. ↗
What the semicolon's anxious supporters fret about is the tendency of contemporary writers to use a dash instead of a semicolon and thus precipitate the end of the world. Are they being alarmist? ↗
Does such a thing as "the fatal flaw," that showy dark crack running down the middle of a life, exist outside literature? ↗