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We have to make a consideration: emotional states are deeply influenced by external events, and here lies the problem. Since the external events are unstable, namely, that they are in perpetual change - a situation that Buddhist tradition defines as “impermanence” - they are very difficult to be managed, and this bring people to panic. This difficulty to experience a reality in which nothing is permanent, that all is in constant motion- change, belongs to the human incapacity to accept the discontinuity of an occurrence of events that are always unpredictable and new. Impermanence is a principle that is a natural thing, but, in relation to the social and interhuman fields, this becomes a problem: especially in the last ten years, we can witness scenarios where instability, turbulence and uncertainty, frantically increase and continue to increase. Instability and change are perceivable everywhere - from the personal interaction between people to economic instability: in poor words, we don’t know what the future will bring to us and we feel a continuous pressure. People feel a need for safety and stability, but this is an impossible thing in the conditions in which society finds itself, and here lies one of the main reasons why tensions, anxiety, and panic have became common situations. ↗
#gurdjieff #mindfulness-practice #present-moment #zen #change
While she could hardly fathom what had just happened to her that night, she reached some conclusions before she fell asleep, certain things now made perfect sense; Moon River didn’t sound so syrupy, mistletoe wasn’t such a bad idea, and perhaps dating was not such a frivolous waste of time after all. ↗
#falling-in-love #funny-but-true #humour #humourosly-inspirational #love
Anything which is just born, which has just come into existence, has no past behind it. Birth, in other words, is the condition of having no past. And likewise, anything which now dies, which has just ceased to be, has no future left in front of it. Death is the condition of having no future. But we have already seen that this present moment has both no past and no future simultaneously. That is, birth and death are one in this present moment. This moment is just now being born—you can never find a past to this present moment, you can never find something before it. Yet also, this moment is just now dying — you can never find a future to this moment, never find something after it. This present, then, is a coincidence of opposites, a unity of birth and death, being and non-being, living and dying. As Ippen put it, "Every moment is the last moment and every moment is a rebirth. ↗
I wrote that certain things were leaving me nauseated. I said that judges made me feel that way. Not most of them but all of them. I said that you for example, the judge I'm writing this to, made me feel nauseated. The nausea came from understanding that people produced by every conceivable advantage got to decide whether someone like Jalen lived or died and what was worse was they never fucking seemed to decide that the person should live, that a person's life, any person, was more important than whether some fat fuck at a country club thought you were hard enough on crime or whether you continue to get sufficient reelection campaign contributions you worthless retarded piece of shit. Why should you be allowed to decide anything beyond what you have for lunch you mental infant? ↗
Suenos. Dulces Suenos. He must be painting upstairs. I can feel it. I remember when his father was just a baby and I called her Mama for the first time and she became Mama for all of us; Mama de la casa and his father would wake up in the middle of the night and scream in his crib and nothing would make him stop, nada, and Mama would get so exhausted she would turn her back to me and cry in her pillow. I would smooth her hair-it was black, Basilio, as black as an olive-and I would turn on the radio (electricity, Basilio, in the middle of the night), to maybe calm the baby and listen to something besides the screaming. Mama liked the radio, Basilio, and we listened while your father cried-cantante negra, cantante de almas azules-and it made us feel a little better, helped us make it through. I had to get up early to catch the streetcar to the shipyard, but when the crying finally stopped sometimes the sun would be ready to pop and Mama's breathing would slow down and her shoulders would move like gentle waves, sleeping but still listening, like I can hear her now on this good bed, and Basilio-Mira, hombre, I will not tell you this again-if I moved very close and kissed her shoulders, she would turn to face me and we would have to be quiet Basilio, under the music, very, very quiet.... So this I want to know, Basilio. This, if you want to live on Macon Street for another minute. Can you paint an apple baked soft in the oven, an apple filled with cinnamon and raisins? Can you paint such a woman? Are you good enough yet with those brushes so that she will step out of your pictures to turn on the radio in the middle of the night? Will she visit an old man on his death bed? If you cannot do that, Basilio, there is no need for you to live here anymore. ↗
Leo lowered his screwdriver. He looked at the ceiling and shook his head like, What am I gonna do with this guy? "I try very hard to be annoying," Leo said. "Don't insult my ability to annoy. And how am I supposed to resent you if you go apologizing? I'm a lowly mechanic. You're like the prince of the sky, son of the Lord of the Universe. I'm supposed to resent you." "Lord of the Universe?" (Jason) "Sure, you're all-bam! Lightning man. And 'Watch me fly. I am the eagle that soars-" (Leo) "Shut up, Valdez." (Jason) Leo managed a little smile. "Yeah, see. I do annoy you." "I apologize for apologizing." (Jason) "Thank you." He went back to work, but the tension had eased between them. Leo still looked sad and exhausted-just not quite so angry. ↗
