#screen

Read through the most famous quotes by topic #screen




We tend to pay attention to that which is the most current on our radar screen.


Warren Rudman


#current #most #our #pay #pay attention

I'm not the type of person who goes through all this effort for a movie, and then doesn't care if anybody sees it. I want them to see it, and I want them to see it on the big screen.


Andy Garcia


#big #big screen #care #effort #goes

Today the demands are for even higher standards in the quality of care, for greater flexibility and convenience in treatment times, and for more prevention through screening and health checks.


Lucy Powell


#checks #convenience #demands #even #flexibility

What I want is to be the highest grossing screenwriter, or to have some other woman be the highest grossing screenwriter, instead of being number nine on the list. That's my goal.


Melissa Rosenberg


#goal #highest #i #instead #list

I think that people are interested seeing me on the screen.


Arnold Schwarzenegger


#i think #interested #me #people #screen

If you were to climb up on your desk, walk around behind your monitor and lean way over so you could see the screen, you'd be able to read "Wordplay" just as easily as you could sitting in your chair.


John Langdon


#around #behind #chair #climb #could

You really have to create everything in order to come away with a full human being on screen.


Samantha Mathis


#being #come #create #everything #full

Some films could only have been cast in one way: Screen tests were given and the losers got the parts.


Gene Shalit


#cast #could #films #given #got

It's useless to try and make rhyme or reason of it, because one guy thinks one thing and the other guy sees a whole other thing. So I try not to take them too seriously. Lately I have them screened so I only read the positive ones.


David Zucker


#guy #i #lately #make #one thing

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.


John Crowley


#creativity #inspiration #novel #poem #poetry