But I think our humour is exactly the same today. Only, we've made rules now. We've said we are not going to do prosthetic make-up scenes, because when they take it off half your face comes off. ↗
I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work. ↗
The interesting thing is that I found scenes which I put together which could appeal to almost every woman, or apply to almost every woman after the war. Falling in love, dancing, marrying. ↗
I met a hustler at a dinner party. He had been invited because I was looking for an adviser to help me with the street scenes. So we put him on the film. ↗
Some of the biggest changes that have happened are behind the scenes, in the way we produce the magazine. E.g., much of our production has been brought in-house via desktop publishing. ↗
The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool. ↗
I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you.' I said, 'What are you saying? That I should do more love scenes?' ↗
