#rope

The printing presses of the state treasuries cranked out reams of paper currency- showing wise kinds and blissful martyrs- while bankers wept and peasants starved. ↗

— Alan Furst

#money #war #money

Throughout the world what remains of the vast public spaces are now only the stuff of legends: Robin Hood’s forest, the Great Plains of the Amerindians, the steppes of the nomadic tribes, and so forth… Rousseau said that the first person who wanted a piece of nature as his or her own exclusive possession and transformed it into the transcendent form of private property was the one who invented evil. Good, on the contrary, is what is common. ↗

— Antonio Negri

#empire #evil #good #private-property #nature

Gossip, unless aimed or honed sharp like a weapon, was natural to human beings. It showed interestin oe's fellows, interest in the well being of the tribe. "Gossip was a way to learn taboos, pass on warnings, share the burden fo being human among many so the onus of bearing it alone would fall on no one person. " Molly said. From an Anna Pigeon Novel ↗

— Nevada Barr

#books #the-rope #nature

[M]an is not an island, he is more like a spaghetti junction. ↗

— Elizabeth Cooke

#law #property-law #relationships #relationship

the greater the number of owners, the less the respect for common property. People are much more careful of their personal possessions than of those owned communally; they exercise care over common property only in so far as they are personally affected. ↗

— Aristotle

#respect

[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. ↗

— Grant H. Kester

#art-history #assumptions #avant-garde #fallacy #meaning

The 'Renaissance' West Butchered the Rest. If I had to choose between an erudite Aristotle and an unknown ‘soulless’ black slave I would choose the latter. The ascendancy of the West was on a heap of bodies of slaves and trampled humanity through colonization ↗

— Viktor Vijay Kumar

#europe #india #renaissance #west #art

Why, Noah, do you know the word for vagina in every language?" "Because I’m European, and therefore more cultured than you. ↗

— Michelle Hodkin

#culture

We are accused of being obsessed by property. The truth is the other way round. It is the society and culture in question which is so obsessed. Yet to an obsessive his obsession always seems to be of the nature of things and so is not recognized for what it is. The relation between property and art in European culture appears natural to that culture, and consequently if somebody demonstrates the extent of the property interest in a given cultural field, it is said to be a demonstration of his obsession. And this allows the Cultural Establishment to project for a little longer its false rationalized image of itself. ↗

— John Berger

#art

All sentient beings should have at least one right—the right not to be treated as property ↗

— Gary L. Francione

#abolitionist #ahimsa #ethical #francione #moral-imperative