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Read through the most famous quotes by topic #romantic
I don’t know who those other people are and what they did to you, but I’m not one of them,” I whispered, on the verge of tears. (Molly) “You are. You just don’t know yet.” (Victor) ↗
#romance #romantic-fantasy #young-adult-fantasy #young-adult-fiction #romantic
Mila este o manifestare a puterii, o reactie de superioritate (un fel de lamentatie indiferenta, rece, care nu schimba cu nimic starea de spirit a celui care o declama), falsa pentru ca nu presupune reflectie, ci doar o constatare care porneste de la diferentierea dintre cel care sufera si cel care proclam mila, cel care se simte sigur pe sine in timp ce seamanul lui se prabuseste. Compasiunea provine semantic in apropiere, empatia sa este reala, bazandu-se pe unitatea dintre cel suferind si cel care isi atribuie fara menajamente suferinta - in timp ce mila este doar o scanare sau o verificare superficiala a diferentierii. Apropierea este, astfel, o modalitate de invatare existentiala, orizontal pentru ca presupune o modestie primara - in timp ce modalitatea verticala ar fi ruperea de tiparul «chipului si asemanrii», egoismul brut al celui care refuza alteritatea, preferand inchiderea de sine, fara scuza expansivitatii. Mila ar fi expresia deghizata al unui nihilism, care imparte lumea intre puternici si «dezavantajati» sau, dup amodelul romantic, intre subiect si «ceilalti», unde ultimul termen este anonim, lipsit de chip si tinde spre vid. «Cele mai bune intentii» sunt enuntate sub masca milei (poate chiar prin mijloace pecuniare), dar ele nu-l pot insela pe cel care isi pune problema din punct de vedere afectiv: cei care sunt adepti ai milei sunt despartiti de realitatea celor suferinzi de un ecran ce le cenzureaza orice participare din interior a atrocitatii. Compasiunea presupune trecerea acestei granite, care te apropie de cel supus traumei, te impinge in chiar spatiul celui «agresat». ↗
[Robert] Newell's recommendation of walking is also interesting: 'The best way undoubtedly of seeing a country is on foot. It is the safest, and most suited to every variety of road; it will often enable you to take a shorter track, and visit scenes (the finest perhaps) not otherwise accessible; it is healthy, and, with a little practice, easy; it is economical: a pedestrian is content with almost any accommodations; he, of all travellers, wants but little, 'Nor wants that little long'. And last, though not least, it is perfectly independent.' Newell cites independence, as do a number of the 'first generation' of Romantic walkers I have already surveyed; more striking are his commendation of walking as the safest option, which reflects a very altered perception of the security of travel from that which prevailed in the eighteenth century, and his advocacy of the practical and health benefits of pedestrianism, which against suggests its institutionalisation as a form of tourism and its extension to lower reaches of the middle classes. ↗
I think I meant that, given the circumstances of my childhood, I had the illusion that it's easier to be alone. To have your relationships be casual and also to pose as a solitary person, because it was more romantic. You know, I was raised on the idea of the ramblin' man and the loner. ↗
