Read through the most famous quotes by topic #role
I have since learned that although the festival of Imbolc was far less romantic and far more practical to our Celtic ancestors than the initial image portrayed to me by Mrs Darley, it was no less magical, for it marked the beginning of the lambing season which to the Celts meant the difference between survival and extinction. ↗
#carole-carlton #imbolc #irish-celts #lughnasadh #moon-magic
Horned humans are not unknown to medical science as there is a rare skin disease, which goes by the name of ‘Cornu Cutaneum’, a cutaneous growth, which resembles a horn and grows from the scalp. ↗
#carole-carlton #cornu-cutaneum #horned-humans #horns-from-the-scalp #imbolc
Dagmar knew there were worse things in this world than pretending to be a caring, demure woman. For instance, actually being a caring, demure woman. ↗
Even though we don't admit it, every single one of us aspires to be like somebody, whether they live in the world today, within the bard's lyrics, or on the pages in the Library ↗
All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. ↗
