It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character. ↗
Our deal always was that we did one as scripted always, we got it like we thought we needed - so we were all happy with it as written. Then I'd let him play as long as we had time. ↗
I created the characters from what I read in the script. I decided how I should talk, accent, no accent, my own voice, or a created voice. Then, I visualize what I should look like. ↗
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working. ↗
Each of us have things and thoughts and descriptions of an amazing universe in our possession that kings in the 17th Century would have gone to war to possess. ↗
I get a lot of action scripts. I get low-budget vehicles that will end up right on the video shelf. I want to do movies that I want to talk about, that I'm proud of, but I also want to make a living. ↗
They've got this house style which is writer driven. I heard of one person who sent his script in, and Karen Berger said there weren't enough words in it. Put some more in. ↗