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I have tried to understand what crucifixion must feel like. I just know that the pain must be beyond what I have ever experienced. I respect, love, and trust the One who endured all this when He didn't have to. I understand Jesus with my heart, and the rest of the world can think of Him as it will. ↗
I have to give her what you did, don't I?" she said. "Enough of my personal information for Aurilelde to link to her own... so that the congruency between us is complete, and all this works out the way it should..." Kit didn't say anything. ...But why wouldn't I? Nita thought. To make all this come out all right. She nodded to Irina. Irina nodded back, turned away. And only then did it occur to Nita, with a shock, that this would mean it hadn't been Aurilelde who Kit had been so attracted to. It was her... ↗
Marina Orlova was hooked on my quote about women not owing men. I scrolled through her posted paintings and recalled a Slovak friend once commenting on a guy wanna-be a great painter, something like this: "Aaano, on bol profesionalnym maljiarom na Slovensku, maloval tam pice a hakove krize po stenach". He meant graffiti, but I hesitate to translate it in detail for it may sound too rough. Another thought is about surreal, sometimes spurious aesthetics mixed with hinted or daring sexuality, which Marina Orlova endorses, deliberately or not, in line of her claimed profession. The posts call to mind The Cook, the Thief, His Wife & Her Lover or even Titus Andronicus. No wonder, thousands of bozos are attracted to her internet activity because ..., well, the woman is hot. ↗
She's a skank. He's a player. He's cute but almost OD'd last year, so he's a bad bet. She's a two-faced, lying, cheating witch. That's right, Trina, I'm talking to you," she shouted. "By the way," she added just for me, "Trina cusses, which means cussing is trashy, which means my golden rule is to never cuss. I have class. Unlike Trina, the skank of Birmingham." The last part was, of course, shouted. ↗
Every effort needs to be made to try and offset the costs of Katrina and Rita by reductions in other government programs, especially those that are wasteful, duplicative and ineffective. ↗