#recording

Simultaneous recording with superimposed ionization chambers and Wilson chambers, ionization chambers and sets of counting tubes, has not yet been carried out. ↗

— Victor Francis Hess

#carried #chambers #counting #ionization #out

He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle. ↗

— Tom Waits

#songs #writing #music

This is... an attempt to find some of the important fault lines in the narrative of "recorded history"--the points where people with access to the technology decided that *this* was how recordings should sound, and *this* is what it means to make a record. Ultimately, this is the story of what it means to make a recording of music--a *representation* of music--and declare it to be music itself. ↗

— Greg Milner

#preservation #recordings #music

If I could record them and transmit them to the present age, they would constitute nothing more, nowadays, than dead sounds. They would be, in a word, sounds other than what they actually were, and from what their phonographic labels pretended they were – since it's in ourselves that the silence exists. It was while the sounds were still mysterious that it would have been really interesting to render the mystery palpable and transferable. ↗

— Auguste de Villiers de l'Isle-Adam

#silence #sound #age

I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be. ↗

— Mel Torme

#albums #artist #been #came #contents

The age of recording is necessarily an age of nostalgia--when was the past so hauntingly accessible?--but its bitterest insight is the incapacity of even the most perfectly captured sound to restore the moment of its first inscribing. That world is no longer there. ↗

— Geoffrey O'Brien

#nostalgia #recording-music #age

A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know? ↗

— Gotye

#aspect #because #big #brain #collecting

We stuck the record head so it kept on recording over and over on top of itself and played keyboard notes into it to create this ghost repetition melody. ↗

— Colin Greenwood

#ghost #head #into #itself #kept

Each one of us had a little story to tell and each recording was based on that. Lou played all of the music but we both sort of kicked around some cords during the writing phase. ↗

— Phil Harris

#based #both #cords #during #each

The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at. ↗

— Solange Knowles

#block #born #built #city #come