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Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks. ↗
This was dangerous talk—in these enlightened times, a wise woman would never be too clever. The accusation of witchcraft had rid many men of an ugly wife and yet more women of an attractive rival. ↗
You cherry-pick events that are relevant to the story question and construct a gauntlet of challenge (read: the plot) that will force the protagonist to put his money where his mouth is. Think baptism by ever-escalating fire. ↗
There is no point in expending good money on the pursuit of an engine that can power aircraft without propellers. What is wrong with airships anyway? They have borne mankind aloft for over a hundred relatively accident-free years and I see no reason to impugn their popularity... ↗
All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane. ↗
I don’t just want a gripping story line. I shoot for the three dimensional literary Braille to a silent Scorsese movie ↗
Ludwig’s enormous, awe-inspiring genius, his productivity, his prescient modernism were all contained in music. Beside that, the letters to the Immortal Beloved looked no more impressive to her than bathroom stall graffiti: L.V.B. luvs his I.B. Wishes she wuz here. ↗