#quentin

Well I would never say to anybody that Warren Beatty got fired, but uh, I think he and Quentin fell out of love, and I think Warren told Quentin to hire me for the film. ↗

— David Carradine

#beatty #fell #film #fired #got

I like the strings. I always have. Because that's how it feels. But the strings make pain seem more fatal than it is, I think. We're not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me to imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well – but never quite perfectly, you know? ↗

— John Green

#life #margo #quentin #strings #imagination

Whatever has gone on in the outer world has passed me by. But I think if anyone said to me, 'if you go on like this life will pass you by,' I would reply, 'thank God for that, I nearly got mixed up in the beastly thing. ↗

— Quentin Crisp

#life

In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ↗

— David Foster Wallace

#david-foster-wallace #david-lynch #film #muzak #quentin-tarantino

My big fight is not in the movie and I don't understand that decision but I know he's right about it, whatever it is. Quentin did not hire me because I'm a kung fu expert; he hired me because he liked to listen to me talk. ↗

— David Carradine

#because #big #decision #did #expert

Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part. ↗

— David Carradine

#before #books #comic #comic books #common

I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster. ↗

— David Carradine

#blow #created #done #ever #head

Quentin Tarantino asked me to work with him but there is no way I am going to do that while Matthew Vaughn is working in film. ↗

— Claudia Schiffer

#asked #film #going #him #i

I could turn on my side, and she might turn on her side, too. And then we could kiss. But what's the point of kissing her now, anyway? It won't go anywhere. We are both staring at the cloudles sky. “Nothing ever happens like you imagine it will,” she says. ↗

— John Green

#margo #quentin #thoughts #imagination

But as for me:I must ask the wounded man where he is hurt, because I cannot become the wounded man. The only wounded man I can I can be is me. ↗

— John Green

#inspirational