#protagonist

I'm drawn particularly to stories that evolve out of the character of the protagonist. ↗

— David McCullough

#drawn #evolve #i #out #particularly

In most films - especially in regards to the protagonist - really from the get-go they set up some scenario that endears that character to the audience. Or imbues him with some nobility or heroism or something. ↗

— Joaquin Phoenix

#character #endears #especially #films #get-go

What was the point of having a situation worthy of fiction if the protagonist didn't behave as he would have done in a book? ↗

— Julian Barnes

#life #protagonist #reality #life

Henry Miller wrote novels, but he calls his protagonist Henry, often Henry Miller, and his books are in this gray area between memoir and novel. ↗

— Leslie Fiedler

#between #books #calls #gray #gray area

Because there is actually something very interesting in Goodfellas, how the style of the film changes as time goes by and based on the mental state of the protagonist. ↗

— Alex Cox

#based #because #changes #film #goes

In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things. ↗

— Christopher Darden

#by the people #fact #forgot #got #in fact

Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail. ↗

— Brendan Gleeson

#brothers #characters #coen #detail #enriched

The way I wanted to write it, is with a hero, or sort of a pure character who was the protagonist. And the antagonists were these demonic evil children, cause when you're a kid, seven or eight years old, and you're looking at the world around you - everything seems black or white, good or bad. ↗

— John Wozniak

#bad #black #black or white #cause #character

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. ↗

— Gene Wolfe

#protagonist #writing #life

I think a great book title would be “Ida Says ‘I do’ in Idaho.” It would be about a divorce in Washington State, and the protagonist would be a woman, though I’m not sure what her name should be. 
 ↗

— Jarod Kintz

#divorce #idaho #marriage #name #protagonist