#prolog

That belief in Christ is to some a matter of life and death has been a stumbling block for readers who would prefer to think it a matter of no great consequence. ↗

— Flannery O'Connor

#christianity #prologue #death

First, it’s okay to be sad. It’s okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly”—her eyes glossed over—“and you and your brothers take care of each other, and your father. Even when you grow up and move away, it’s important to come home. Okay?” My head bobbed up and down, desperate to please her. “One of these days you’re going to fall in love, son. Don’t settle for just anyone. Choose the girl that doesn’t come easy, the one you have to fight for, and then never stop fighting. Never”—she took a deep breath—“stop fighting for what you want. And never”—her eyebrows pulled in—“forget that Mommy loves you. Even if you can’t see me.” A tear fell down her cheek. “I will always, always love you. ↗

— Jamie McGuire

#travis-maddox #walking-disaster #beauty

Engel nennens Freude, Teufel nennens Pein, Menschen meinen, Es muss Liebe sein. ↗

— Michael Kunze

#musical #prolog #music

A popular government without popular information or the means of acquiring it, is but a prologue to a farce, or a tragedy, or perhaps both. ↗

— James Madison

#both #farce #government #information #means

A deliberate choice on my part was for the player to continue to find new possibilities in the early Attic rooms far into the game. I think this builds atmosphere, though it means there's no neat division of the prologue from the middle game. ↗

— Graham Nelson

#attic #builds #choice #continue #deliberate

What is past is prologue. ↗

— William Shakespeare

#prologue

Courtship is to marriage, as a very witty prologue to a very dull play. ↗

— William Congreve

#dull #marriage #play #prologue #very