#production

Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood. ↗

— Vic Morrow

#castles #crew #duplicated #episodes #france

I know I can't do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level. ↗

— Paul Taylor

#demo #everything #i #i do #know

Youth was the time for happiness, its only season; young people, leading a lazy, carefree life, partially occupied by scarcely absorbing studies, were able to devote themselves unlimitedly to the liberated exultation of their bodies. They could play, dance, love, and multiply their pleasures. They could leave a party, in the early hours of the morning, in the company of sexual partners they had chosen, and contemplate the dreary line of employees going to work. They were the salt of the earth, and everything was given to them, everything was permitted for them, everything was possible. Later on, having started a family, having entered the adult world, they would be introduced to worry, work, responsibility, and the difficulties of existence; they would have to pay taxes, submit themselves to administrative formalities while ceaselessly bearing witness--powerless and shame-filled--to the irreversible degradation of their own bodies, which would be slow at first, then increasingly rapid; above all, they would have to look after children, mortal enemies, in their own homes, they would have to pamper them, feed them, worry about their illnesses, provide the means for their education and their pleasure, and unlike in the world of animals, this would last not just for a season, they would remain slaves of their offspring always, the time of joy was well and truly over for them, they would have to continue to suffer until the end, in pain and with increasing health problems, until they were no longer good for anything and were definitively thrown into the rubbish heap, cumbersome and useless. In return, their children would not be at all grateful, on the contrary their efforts, however strenuous, would never be considered enough, they would, until the bitter end, be considered guilty because of the simple fact of being parents. From this sad life, marked by shame, all joy would be pitilessly banished. When they wanted to draw near to young people's bodies, they would be chased away, rejected, ridiculed, insulted, and, more and more often nowadays, imprisoned. The physical bodies of young people, the only desirable possession the world has ever produced, were reserved for the exclusive use of the young, and the fate of the old was to work and to suffer. This was the true meaning of solidarity between generations; it was a pure and simple holocaust of each generation in favor of the one that replaced it, a cruel, prolonged holocaust that brought with it no consolation, no comfort, nor any material or emotional compensation. ↗

— Michel Houellebecq

#children #generations #life #parenthood #procreation

I can always tell if a band has a British rhythm section due to the gritty production. ↗

— Kanye West

#band #british #due #gritty #i

I have a hard time defending the production of candy, given that it is basically crack for children and makes them dependent in unwholesome ways. ↗

— Steve Almond

#candy #children #crack #defending #dependent

I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration. ↗

— Colleen Atwood

#chicago #current #i #inspiration #liked

High tech companies that focus on research, development and production will learn that they can be the perfect complement to our world-renowned agriculture heritage. ↗

— Alan Autry

#companies #complement #development #focus #heritage

Fifteen years ago I walked out of a production of one of my plays at the RSC because I decided it was a waste of time. ↗

— Edward Bond

#because #decided #fifteen #i #out

Production was what I always wanted to do, even when I was skating. I'm a bit of a sponge. When I was going around competing I was always asking, 'What does that light do?' If you want to be successful, you have to understand what people are doing around you. ↗

— Robin Cousins

#around #asking #bit #competing #does

He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor. ↗

— Deborah Cox

#come #complicated #connect #could #dance