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Sorry, Bex," Jason said "You don't have the recognizable facial characteristics - such as a huge chin, or a large amount of real estate between the eyes - that would merit the bestowing of a criminal mastermind nickname such as Lockjaw or Walleye. Whereas Crazytop here...well, just look at her." "Atleast I can blow-dry my hair straight," I pointed out. "Which is more than what I can say for your nose, Hawkface. ↗
#cabot #funny #how #mastermind #meg
Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture,' between 'mainstream' and 'genre,' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways. ↗
#editing #fantasy #genre #magic #mainstream
Roo: What’s your definition of popularity? Hutch: I used to think people were popular because they were good-looking, or nice, or funny, or good at sports. Roo: Aren’t they? Hutch: I’d think, if I could just be those things, I’d – you know – have more friends than I do. But in seventh grade, when Jackson and those guys stopped hanging out with me, I tried as hard as I could to get them to like me again. But then . . . (shaking his head as if to clear it) I don’t really wanna talk about it. Roo: What happened? Hutch: They just did some ugly stuff to me is all. And really, it was for the best. Roo: Why? Hutch: Because I was cured. I realized the popular people weren’t nice or funny or great-looking. They just had power, and they actually got the power by teasing people or humiliating them – so people bonded to them out of fear. Roo: Oh. Hutch: I didn’t want to be a person who could act like that. I didn’t want to ever speak to any person who could act like that. Roo: Oh Hutch: So then I wasn’t trying to be popular anymore. Roo: Weren’t you lonely? Hutch: I didn’t say it was fun. (He bites his thumbnail, bonsai dirt and all.) I said it was for the best. ↗
As we look over the list of the early leaders of the republic, Washington, John Adams, Hamilton, and others, we discern that they were all men who insisted upon being themselves and who refused to truckle to the people. With each succeeding generation, the growing demand of the people that its elective officials shall not lead but merely register the popular will has steadily undermined the independence of those who derive their power from popular election. The persistent refusal of the Adamses to sacrifice the integrity of their own intellectual and moral standards and values for the sake of winning public office or popular favor is another of the measuring rods by which we may measure the divergence of American life from its starting point. ↗
