The secret of all effective originality in advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships. ↗
I've never really been anywhere, and now I get to go everywhere. I just have to make sure there's enough memory on my computer to hold all my pictures. ↗
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn't really comfortable with it. ↗
I think Ingmar Bergman, Francoise Truffaut - all these people created images in my mind, beautiful pictures, I loved what was known at that time as the foreign film. ↗
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures. ↗
I've looked at pictures that my mom has of me, from when I was four years old at the turntable. I'm there, reaching up to play the records. I feel like I was bred to do what I do. I've been into music, and listening to music and critiquing it, my whole life. ↗
I just make the pictures and where they fall is where they fall. If somebody likes them, that's always nice. And if they don't like them, then too bad. ↗
