The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character. ↗
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets. ↗
James's expedition to Scotland is wholly imaginary, though there appears to have been space for it during Henry's progress to the North to pay his devotions at Beverley Minster. ↗