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Read through the most famous quotes by topic #oust
What I want to know is, in the Middle Ages, did they do anything for Housemaid's Knee? What did they put in their hot baths after jousting? ↗
...But it was above all that fragmentation of Albertine into many parts, into many Albertines, that was her sole mode of existence in me. Moments recurred in which she had simply been kind, or intelligent, or serious, or even loving sport above all else. And was it not right, after all, that this fragmentation should soothe me? For if it was not in itself something real, if it arose from the continuously changing shape of the hours in which she had appeared to me, a shape which remained that of my memory as the curve of the projections of my magic lantern depended on the curve of the coloured slides, did it not in its own way represent a truly objective truth, this one, namely that none of us is single, that each of us contains many persons who do not all have the same moral value,... ↗
He wrapped his hand around hers, pressed a kiss to the heart of her palm, and held her gaze. “I’ve got a one-room cabin, a few horses, and a dream that’s so small it won’t even cover your palm. But it sure seems a lot bigger when you’re beside me.” The moonlight streaming through the window shimmered off the tears trailing along her cheeks. “I’ve always wanted a dream that I could hold in the palm of my hand,” she said quietly. -Houston and Amelia ↗
He skidded to a dead halt and stared hard at Austin. The boy’s chin carried so many nicks from his first shave that it was a wonder he hadn’t bled to death. He was a year older than Houston had been when he’d last stood on a battlefield. Sweet Lord, Houston had never had the opportunity to shave his whole face; he’d never flirted with girls, wooed women, or danced through the night. He’d never loved. Not until Amelia. And he’d given her up because he’d thought it was best for her. Because he had nothing to offer her but a one-roomed log cabin, a few horses, a dream so small that it wouldn’t cover the palm of her hand. And his heart. His wounded heart. ↗
Whitney Houston’s cover of “I Will Always Love You” was constantly on my FM Walkman radio around that time. I think that made me cry because I associated it with absolutely no one. ↗
The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest. ↗
#marcel-proust #proust #remembrance-of-things-past #swann-s-way #life
Habit enables us to cling to the familiar, to the self we think we know with a persistence almost irresistible. An anodyne for the terror of the unknown, it effectively keeps us from knowing, and is fatal in itself. Habit is a fiction the organism requires to dim perception. It screens us from the world, and from the true world of the self. Habit—no matter how intense the suffering it causes—is the last thing the personality will give up. It is arming itself against danger. The weapons may be more painful to use than the pain they seek to deflect. No matter. Habit allows us to live—by which Proust means it allows us to exist while it simultaneously compels us to miss Life. ↗
It's over," Keelie said. Too bad. But I want you to know, I will always love you." She narrowed her eyes and said, "When you look at me and say that, are you thinking of Dolly Parton or Whitney Houston?" Burt Reynolds," he said. She nearly spit out her coffee when she laughed, then she said, "That almost makes me want to try again. ↗
#coffee #dolly-parton #laughed #love #over
You loved her, but you let her marry some other fella? Why’d you do a fool thing like that?” “Because it was best for her.” “How do you know it was best for her?” Houston swiveled his head and captured his brother’s gaze. “What?” Austin shrugged. “What if what you thought was best for her wasn’t what she wanted?” “What are you talking about?” Austin slid his backside across the porch. “I’m not learned in these matters so I don’t understand how you know what you did was best for her.” -Houston and Austin ↗
But genius, and even great talent, springs less from seeds of intellect and social refinement superior to those of other people than from the faculty of transforming and transposing them. To heat a liquid with an electric lamp requires not the strongest lamp possible, but one of which the current can cease to illuminate, can be diverted so as to give heat instead of light. To mount the skies it is not necessary to have the most powerful of motors, one must have a motor which, instead of continuing to run along the earth's surface, intersecting with a vertical line the horizontal line which it began by following, is capable of converting its speed into lifting power. Similarly, the men who produce works of genius are not those who live in the most delicate atmosphere, whose conversation is the most brilliant or their culture the most extensive, but those who have had the power, ceasing suddenly to live only for themselves, to transform their personality into a sort of mirror, in such a way that their life, however mediocre it may be socially and even, in a sense, intellectually, is reflected by it, genius consisting in reflecting power and not int he intrinsic quality of the scene reflected. ↗