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Read through the most famous quotes by topic #obsess
She’d ceased spying upon him, that was true, but the damage was done. Every time he sat at his desk, he could feel her eyes upon him, even though he knew very well she’d shut her curtains tight. But clearly, reality had very little to do with the matter, because all he had to do, it seemed, was glance at her window, and he lost an entire hour’s work. It happened thus: He looked at the window, because it was there, and he couldn’t very well never happen to glance upon it unless he also shut his curtains tight, which he was not willing to do, given the amount of time he spent in his office. So he saw the window, and he thought of her, because, really, what else would he think of upon seeing her bedroom window? At that point, annoyance set in, because A) she wasn’t worth the energy, B) she wasn’t even there, and C) he wasn’t getting any work done because of her. C always led into a bout of even deeper irritation, this time directed at himself, because D) he really ought to have better powers of concentration, E) it was just a stupid window, and F) if he was going to get agitated about a female, it ought to be one he at least liked. F was where he generally let out a loud growl and forced himself to get back to his translation. It usually worked for a minute or two, and then he’d look back up, and happen to see the window, and the whole bloody nonsense cycled back to the beginning. ↗
As always when he worked with this much concentration he began to feel a sense of introverting pressure. There was no way out once he was in, no genuine rest, no one to talk to who was capable of understanding the complexity (simplicity) of the problem or the approaches to a tentative solution. There came a time in every prolonged effort when he had a moment of near panic, or "terror in a lonely place," the original semantic content of the word. The lonely place was his own mind. As a mathematician he was free from subjection to reality, free to impose his ideas and designs on his own test environment. The only valid standard for his work, its critical point (zero or infinity), was the beauty it possessed, the deft strength of his mathematical reasoning. THe work's ultimate value was simply what it revealed about the nature of his intellect. What was at stake, in effect, was his own principle of intelligence or individual consciousness; his identity, in short. This was the infalling trap, the source of art's private involvement with obsession and despair, neither more nor less than the artist's self-containment, a mental state that led to storms of overwork and extended stretches of depression, that brought on indifference to life and at times the need to regurgitate it, to seek the level of expelled matter. Of course, the sense at the end of a serious effort, if the end is reached successfully, is one of lyrical exhilaration. There is air to breathe and a place to stand. The work gradually reveals its attachment to the charged particles of other minds, men now historical, the rediscovered dead; to the main structure of mathematical thought; perhaps even to reality itself, the so-called sum of things. It is possible to stand in time's pinewood dust and admire one's own veronicas and pavanes. ↗
#art-creation #concentration #depression #despair #loneliness
