#narrative

So much of literary sci-fi is about creating worlds that are rich and detailed and make sense at a social level. We'll create a world for people and then later present a narrative in that world. ↗

— James Cameron

#create #creating #detailed #later #level

I love movies, I love television, I love narratives of all kinds. ↗

— Michael Cunningham

#i love #kinds #love #movies #narratives

I'm Godless. I've had to make my God, and my God is narrative filmmaking. ↗

— Darren Aronofsky

#god #godless #had #i #make

You know, we love stories and we love narrative; we love to get lost in an author's world. ↗

— Jeff Bezos

#get #know #lost #love #love stories

'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative. ↗

— Jane Campion

#adult #attempted #big #complex #easily

Well, if storytelling is important, then your narrative ability, or your ability to put into words or use what someone else has put into words effectively, is important too. ↗

— Howard Gardner

#effectively #else #important #into #narrative

When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them. ↗

— Jeffrey Eugenides

#about #been #found #gave #had

It is safe to assume that any individual or group you wish to influence has access to more wisdom than they currently use. It is also safe to assume that they also have considerably more facts than they can process effectively. Giving them even more facts adds to the wrong pile. They don't need more facts. They need help finding their wisdom. Contrary to popular belief, bad decisions are rarely made because people don't have all the facts. ↗

— Annette Simmons

#narrative #persuasion #story #art

I haven’t been disingenuous in what I’ve said describing my perception of “truth” and “reality.” Certainly, I understand what is generally meant to be the “truth,” I understand this notion, but it’s not something I trust in, OK? The only answer that feels true (I said feels, not is) is that yes, the character Minnie is me, but she is not me. She is a projection of some tumult which originates within me, but she is not me. I use elements of myself, including my likeness, for the character, perhaps as Cindy Sherman uses herself in her work, but like Sherman’s photographs, the work itself is not any more about the creator than it is about everyone. I won’t deny that Minnie does things I have done, and that things happen to her that have happened to me, but she, unlike me, having been created, is who she is and will remain so, unchanged now. I make no attempt to create “documentary.” There is a process of dissociation that takes place when I make a story, I make creative decisions in a fugue state that I could hardly describe to you, but the end result is, I hope, a story with some meaning or resonance, something created, with a beginning, a middle and an end, an encapsulation of feeling and impression, but in no way a documentary of anything other than an “emotional truth.” If I told most interviewers that my work is “true” and that it is based on real events that occurred in my life, they would more readily accept this than they do the explanation I try to give. Sadly, what they would believe feels to me like a lie and a simplification of a process that is for me as complex and vague as life itself… ↗

— Phoebe Gloeckner

#narrative-identity #life

The narrative of serial art works more like music than like literature. ↗

— Sol LeWitt

#like #literature #more #music #narrative