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Read through the most famous quotes by topic #museums
Brant had said my embellishing constituted a disservice to history and its players. But I believed the opposite. Marooning them on the forlorn island of Only What We Know, a place whose boundaries were determined by the scant information provided by a handful of surviving documents, seemed the greater disservice. I paid homage with my imagination, and hoped I might get visitors to do the same. ↗
Another glorious feature of many modern science museums is a movie theater showing IMAX or OMNIMAX films. In some cases the screen is ten stories tall and wraps around you. The Smithsonian's National Air & Space Museu, the popular museum on Earth, has premiered in its Langley Theater some of the best of these films. 'To Fly' brings a catch to my throat even after five or six viewings. I've seen religious leaders of many denominations witness 'Blue Planet' and be converted on the spot to the need to protect the Earth's environment ↗
For over a century, an evolving microcosm of Anthropology’s turbulent history has hidden behind the staid façade of the American Museum of Natural History. From an insider’s perspective, the well-known ethnologist Stan Freed engagingly introduces us to an amazing cast of explorers, eccentrics, idealists, pranksters and forbidding intellectual - an unlikely mix that played a key role in establishing the science of Anthropology as we know it today. ↗
My parents both had Oxford degrees, they read important books, spoke foreign languages, drank real coffee and went to museums for pleasure. People like that don't have fat kids: they were cut out to be winners and winners don't have children who are overweight. ↗
Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder’s widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn’s museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: “Our stuff looks tinny compared to it.” At a time when commercial values are systematically corrupting the museum - one of civilized society’s most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever. ↗
