Read through the most famous quotes by topic #mull
How do you kill something that's already dead? Nobody knows enough about them. Ask Jason. He'll have an opinion. Wait a moment. Rachel could see Corinne talking to Jason, but they were too far ahead to hear. He says you chop them up into little pieces. But what if that infects you with the disease? Jason leaned closer to answer Corinne quietly. She laughed. You let Nollin do it. ↗
Please," Kendra said. "Think of all the lives that will be destroyed." "I have," Mark said. "Believe me, darling, I grasp all aspects of this, I really do. But how much has the public I'm protecting worried about me? My sanity, my happiness, my right to find peace?" "They made no promises," Bracken said. "They are not preventing the end of the world. Those who know about your sacrifice appreciate you immeasurably. Your life may not be fair, but it is absolutely necessary. ↗
#demon #fablehaven #fair #keys #life
You don't know how to respond," Ferrin said. "I'll make it easy for you. The safest course of action for your young rebellion would be to toss me off the tallest cliff you can find. I have played a perilous game for years--trading secrets, telling lies, finding leverage, earning trust only to betray it. I got away with an eccentric lifestyle among Maldor's elite by hiding much of what I learned and proving myself too valuable to kill. It was a precarious, unforgiving game. When I released you from Felrook, I miscalculated, and I lost Game over. Bridges burned. But the game is part of my nature. I don't think I can stop playing until I stop breathing. ↗
And you came back to Lyrian?" Galloran said in disbelief. "Believe it or not, I came through the same hippopotamus that brought me here the first time. Jumped into the tank on purpose. I wanted to keep others from wasting their time pursuing the Word. And I couldn't ditch Rachel." Galloran smiled. "Truly, you are possessed by that species of madness that begets heroism. ↗
Alcohol makes other people less tedious, and food less bland, and can help provide what the Greeks called entheos, or the slight buzz of inspiration when reading or writing. The only worthwhile miracle in the New Testament—the transmutation of water into wine during the wedding at Cana—is a tribute to the persistence of Hellenism in an otherwise austere Judaea. The same applies to the seder at Passover, which is obviously modeled on the Platonic symposium: questions are asked (especially of the young) while wine is circulated. No better form of sodality has ever been devised: at Oxford one was positively expected to take wine during tutorials. The tongue must be untied. It's not a coincidence that Omar Khayyam, rebuking and ridiculing the stone-faced Iranian mullahs of his time, pointed to the value of the grape as a mockery of their joyless and sterile regime. Visiting today's Iran, I was delighted to find that citizens made a point of defying the clerical ban on booze, keeping it in their homes for visitors even if they didn't particularly take to it themselves, and bootlegging it with great brio and ingenuity. These small revolutions affirm the human. ↗
Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience. ↗
