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If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musee du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cezannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cezanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides, it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus. ↗
This wobbly world host to insects and lint and a thousand pithy ways to feel unserious each minute It brings about a great softening of the mind, like the clouded edges of sea glass (this filter you could download and apply) A poultice or an opiate, rigidly individual. Alone and erasing sentences to splinters. (Poem No. 5) ↗
When I've painted a woman's bottom so that I want to touch it, then [the painting] is finished. ↗
#bottoms #completion #women #art
I've become like one of those people I hate, the sort who go to the museum and, instead of looking at the magnificent Brueghel, take a picture of it, reducing it from art to proof. It's not "Look what Brueghel did, painted this masterpiece" but "Look what I did, went to Rotterdam and stood in front of a Brueghel painting! ↗
