#moved

I'm a little hibernating animal. Anonymity is one of my favorite things. I mean, that's why I moved to New York when I was like 18, because there, there are just so many people that there's no one and you're just lost. You're completely invisible and I find that very liberating. ↗

— Ani DiFranco

#anonymity #because #completely #favorite #favorite things

I have moved from certainty to doubt, from devotion to rebellion. ↗

— Phil Donahue

#devotion #doubt #i #moved #rebellion

I knew I wanted to act, and I was really driven, so I kept going for it. We moved to L.A. full-time when I was 8 or 9. ↗

— Hilary Duff

#driven #full-time #going #i #kept

Well, when I moved to L.A. at 17, I had just come out of high school. I grew up and went to public school in Boston. ↗

— Eliza Dushku

#come #grew #had #high #high school

I still take photographs for my own use, personal studies. I do not feel that I can fully express my views through the medium and this is why I have moved towards painting. ↗

— John Dyer

#feel #fully #i #i can #i do

I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it. ↗

— Christopher Eccleston

#being used #camera #get #i #idea

I have to say that in this particular cow that we're dealing with, those parts of the cow were removed, and so we don't think there's any risk or very negligible risk to human health with this particular incident. ↗

— Ann Veneman

#cow #dealing #health #human #human health

I think it's important that, as a matter of course, the brain and spinal column were removed from this cow, and that would be the material that would cause concern in terms of human health. And therefore we're confident in the safety of the food supply. ↗

— Ann Veneman

#cause #column #concern #confident #course

I keep both eyes on my man. The basket hasn't moved on me yet. ↗

— Julius Erving

#both #eyes #hasn #i #keep

You can do really slow movements with it, like zooming in for a minute and a half. The audience isn't aware that the camera has moved, but there's subconscious tension there. ↗

— Mike Figgis

#aware #camera #half #like #minute