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Read through the most famous quotes by topic #morrison
Astral Weeks,” insofar as it can be pinned down, is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend. It is a precious and terrible gift, born of a terrible truth, because what they see is both infinitely beautiful and terminally horrifying: the unlimited human ability to create or destroy, according to whim. It’s no Eastern mystic or psychedelic vision of the emerald beyond, nor is it some Baudelairean perception of the beauty of sleaze and grotesquerie. Maybe what it boils down to is one moment’s knowledge of the miracle of life, with its inevitable concomitant, a vertiginous glimpse of the capacity to be hurt, and the capacity to inflict that hurt. ↗
I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. ↗
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog. ↗
Beauty was not simply something to behold; it was something one could do." Afterword by the Author(c)1993 ↗
Mister was allowed to be and stay what he was. But I wasn't allowed to be and stay what I was [...] School teacher changed me. I was something else and that something else was less than a chicken sitting in the sun on a tub. (Paul D.) ↗
You went back in time,” he repeated, “and you expect his cell phone to work?” “Well, no, I just, I mean, I came back and he hasn’t! Shouldn’t he have?” Morrison, very steadily, said, “Were you together?” “No! I just said he went to fight the Morrigan!” “I see.” There was a pause. “The man is seventy-four years old, Joanie. He can take care of himself. If you were,” a great and patient pause filled the line before he went on, “time traveling. If you were time traveling and got separated, then I can’t think of any reason he would necessarily come back to the present at the same time you did.” “Except I was the focal point, it was my fault, it --!” “Joanne. Siobhan. Siobhan Grainne MacNamarra Walkingstick.” I didn’t think anybody had ever said my name like that before. I gulped down a hysterical sob and whispered, “Yeah?” Morrison, with gentle emphasis, said, “I love you. Now pull yourself together and go find the bad guy,” and hung up. ↗
I think that’s what Toni Morrison and Alice Walker understand, the secret language of women. That it’s not a secret at all; men just don’t know how to listen. ↗
