I'd like to think that the notion of inspiration will transcend cultural things that are going on. There's something classic about this movie that I'm hoping reaches kids. ↗
Anger becomes limiting, restricting. You can't see through it. While anger is there, look at that, too. But after a while, you have to look at something else. ↗
But I think it's also hard to get into soccer here. I think purely on a time level on television as well because of the ad breaks. It's something to do with that as well. You can't show a complete soccer match here. Which I kind of find a bit of an odd thing. ↗
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally. ↗
Lance Armstrong is the guy that I would put up there as one of my heroes. He's done something that no one else has done and when you put into it what he overcame, it's absolutely unbelievable. ↗
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life. ↗
It would be far to general a statement to try and describe the daily life of an actor in Hollywood, but I am quite certain that cappucinos have something to do with it. ↗
Then I became a mother and it just fills every space, that isn't filled with something else important. It's just like this incredible balloon that blows up and fills life up. ↗
Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity. ↗
I was not influenced by Jack Benny, and people have remarked on my timing and Jack's timing, but I don't think you can teach timing. It's something you hear in your head. ↗